Amy Sloan and Laurie Metcalf in the Geffen Playhouse production of All My Sons. Photo by Michael Lamont

Plays, Selected Credits

God of Carnage (Annette), dir. Michael Arabian, La Mirada Theater for the Performing Arts                                                                                                        All My Sons (Ann), dir. Randall Arney, Geffen Playhouse
Magnum Opus Players (Company Member), Actor’s Circle Theater, L.A.
Steel Magnolias (Shelby), dir. Brian Kite, La Mirada Theater for the Performing Arts
Plunge (Val), dir. Taylor Nichols, Downstage Black Box Theater, L.A.
Proof (Catherine), Canadian premiere, dir. John Cooper, Guild Hall Theater, Whitehorse
The Crucible (Mary Warren), dir. Gordon McCall, Centaur Theatre, Montreal
Richard III (Queen Elizabeth), dir. David Latham, NTSC, Monument National, Montreal
A Servant Of Two Masters (Beatrice), dir. Perry Schneiderman, NTSC, Du Maurier Theater, Montreal
MacBeth (Lady MacDuff), dir. Michael Mawson, NTSC, Montreal

Workshops, Selected Credits

In The Wake by Lisa Kron, dir. Leigh Silverman, Mark Taper Forum
Nine Circles by Bill Cain, dir. Hal Brooks, Ojai Playwrights Conference
The Fire Waltz by Jesse Burch, dir. Laurel Meade, Occidental College
The Fairy Mission by Glenne Headly, Geffen Playhouse


National Theater School Of Canada, Acting
-Shakespeare, Commedia del’Arte, Meisner Technique, Neutral and Character Mask, Clown, Alexander Technique, Movement, Dance, Voice, Accents and Dialects
Steppenwolf West Scene Study with Tom Irwin
Michael Checkov Technique with Hugh O’Gorman
Scene Study with Laurie Metcalf
Scene Study with Howie Gold